No 003 – 023

By: Carina Kinnman

Original artwork

21.3

x

25.6

in |

54

x

65

cm

1 in stock

Free shipping

All artworks featured on Artist Arena are originals sold directly from an independent artist.

Google rating

5.0

Year: 2023

Size: Array

Framed: no

Orientation: Vertical

Size: Medium

Medium/Techniques:
  • Ink
Art genres:
  • Abstract
  • Contemporary
Materials:
  • Paper
Styles:
  • Abstract
  • Modern

Discover the captivating allure of this exquisite artwork, crafted on premium Washi Awagami paper using ink that breathes life into every stroke. This piece embodies a harmonious blend of abstract aesthetics and asemic expression, captivating the viewer with its bold yet minimalistic approach. Drawing inspiration from the serene simplicity of Scandinavian design and the rich cultural heritage of Asia, this artwork beautifully fuses the principles of Japandi style with the philosophy of Wabi-Sabi—celebrating the beauty of imperfection and the passage of time. Each element invites you on a visual journey, encouraging reflection and appreciation for the understated elegance that defines this unique artistic expression. Perfect for collectors seeking a striking centerpiece or an elegant addition to their collection, this piece transcends conventional boundaries, inviting admiration from all who encounter it. Embrace the opportunity to own a stunning representation of cultural unity and artistic innovation.
See more by this artist
  • Abstract
  • Contemporary
  • Ink
  • Paper
  • Abstract
  • Modern

More from Carina Kinnman

Carina Kinnman

Sweden

I'm Carina Kinnman, former Art Director and Marketeer with a foundation in design, marketing and communication, based in Stockholm, Sweden. My creative journey is deeply rooted in both Scandinavian and Japanese minimalism. This fusion brings together the best of both worlds, creating a unique style that emphasizes line, form, and the beauty of imperfection. Wabi-sabi, a Japanese aesthetic philosophy rooted in Zen Buddhism, celebrating the beauty found in imperfection and incompleteness. Having spent the last decade studying traditional Japanese ink calligraphy under the guidance of a Japanese Sensei, I have developed a style that unites Scandinavian and Japanese aesthetics in abstract and non-figurative forms. Recurring objects are lines, human forms and nonfigurative compositions with ink, soft pastel, charcoal, graphite and acrylic with an imperfection aestethics.

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