No 049 – 024

By: Carina Kinnman

Original artwork

20.5

x

16.9

in |

52

x

43

cm

1 in stock

Free shipping

All artworks featured on Artist Arena are originals sold directly from an independent artist.

Google rating

5.0

Year: 2024

Framed: No

Orientation: Horizontal

Size: Medium

Medium/Techniques:
  • Ink
Art genres:
  • Abstract
  • Contemporary
Materials:
  • Paper
Styles:
  • Abstract
  • Minimalism
  • Modern

Discover the captivating allure of our artwork, masterfully crafted with ink on exquisite Washi Awagami paper. This piece beautifully embodies the essence of abstract expressionism, making an audacious statement through its bold yet minimalistic design. Drawing inspiration from the harmonious blend of Scandinavian and Asian aesthetics, this artwork encapsulates the spirit of Japandi style, where simplicity meets sophistication. The delicate imperfections inherent in the process of creation celebrate the Wabi-Sabi philosophy, inviting viewers to embrace the beauty of transience and authenticity. With its unique fusion of influences, this piece serves not only as a stunning focal point for any space but also as a profound reflection of the complexity of human experience. Perfect for both seasoned collectors and those just beginning their art journey, this artwork will inspire conversation and contemplation in your home or office. Elevate your collection with this exceptional testament to creativity and cultural synthesis.
See more by this artist
  • Abstract
  • Contemporary
  • Ink
  • Paper
  • Abstract
  • Minimalism
  • Modern

More from Carina Kinnman

Carina Kinnman

Sweden

I'm Carina Kinnman, former Art Director and Marketeer with a foundation in design, marketing and communication, based in Stockholm, Sweden. My creative journey is deeply rooted in both Scandinavian and Japanese minimalism. This fusion brings together the best of both worlds, creating a unique style that emphasizes line, form, and the beauty of imperfection. Wabi-sabi, a Japanese aesthetic philosophy rooted in Zen Buddhism, celebrating the beauty found in imperfection and incompleteness. Having spent the last decade studying traditional Japanese ink calligraphy under the guidance of a Japanese Sensei, I have developed a style that unites Scandinavian and Japanese aesthetics in abstract and non-figurative forms. Recurring objects are lines, human forms and nonfigurative compositions with ink, soft pastel, charcoal, graphite and acrylic with an imperfection aestethics.

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