Reassembling the shards of love

By: Helena Smeds

Original artwork

39.4

x

31.5

in |

100

x

80

cm

1 in stock

Free shipping

All artworks featured on Artist Arena are originals sold directly from an independent artist.

Google rating

5.0

Year: 2026

Framed: Yes

Orientation: Horizontal

Size: Large

Medium/Techniques:
  • Acrylic
Art genres:
  • Abstract
Materials:
  • Acrylic
  • Texture Paste
Subjects:
  • Organic
Styles:
  • Abstract

This painting is called REASSEMBLING THE SHARDS OF LOVE. There are times when the world falls apart, both on an individual and global level, and eventually becomes reassembled anew and transformed into a new shape, a new world, a new being of love. It is painted on canvas with structure paste to build structure and movement. I use matt and metallic acrylics, and I use sponges, brushes, hands and very many layers of paint to create my pieces. It has a golden frame.
See more by this artist
  • Abstract
  • Acrylic
  • Acrylic
  • Texture Paste
  • Organic
  • Abstract

More from Helena Smeds

Helena Smeds

Sweden

Helena Smeds is a contemporary Swedish artist whose abstract painting explores the interplay between nature, light, movement, depth, and human perception and experience. Her work inhabits a space between the organic and the cosmic, where layered colour, built-up structures, and shifting forms create spaces for both presence and interpretation. Drawing on a background in psychology and a PhD in bilingualism, Smeds’ artistic practice nevertheless emerges primarily through intuition, flow, and experimentation. Her process is exploratory and spontaneous, allowing material, movement, and creative impulse to interact and shape each work. Nature’s rhythms, oceans, light phenomena, organic structures, and aspects of our inner and outer universe recur as underlying references, never depicted literally. Instead, Smeds creates pictorial spaces in which depth, movement, transformation, and perception become central. Successive layers of colour and structure build a sense of spatiality and rhythm, while light becomes an active element of the image. The paintings shift with changing light, viewing distance, movement, and attention. ”Windows to the Soul of the Universe” is an ongoing body of work exploring the relationship between human experience and recurring patterns in our inner and outer nature—from the microscopic to the cosmic. Rather than offering fixed narratives, the paintings invite an open, personal encounter in which connections and meanings emerge through the viewer. Smeds has exhibited in solo and group exhibitions in Sweden, including at NK Stockholm during spring and summer 2006 with Artist Arena, as well as in international exhibitions and curator-led projects in Italy, including Rome and L’Aquila. During Venice Biennale, in the autumn of 2026, she will also exhibit at Venice International Art Fair. In December 2026, her work will be presented in the contemporary art catalogue The Form of the Invisible: Art as Revelation and Cure for the World, curated by Monica Ferrarini and Alice Di Piero.

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