Unspoken, Untitled 2

By: Zekria Alizada

Original artwork

60

x

80

cm |

23.6

x

31.5

in

1 in stock

Free shipping

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Google rating

5.0

Year: 2025

Framed: No

Orientation: Vertical

Size: Medium

Medium/Techniques:
  • Acrylic
Art genres:
  • Abstract
  • Conceptual
  • Contemporary
  • Expressionism
Materials:
  • Acrylic
Styles:
  • Abstract
  • Abstract Expressionism
  • Expressionism
  • Minimalism
  • Modern

Unspoken, Untitled 2 Acrylic on canvas. Two forces — crimson and near-black — scattered across a warm, bare ground. Raised impasto marks, hand-applied, varying in scale and weight. Neither color dominates. Neither retreats. The second work in the Unspoken series.

Original, one-of-a-kind work Certificate of authenticity included Ships carefully packaged from Stockholm, Sweden
See more by this artist
  • Abstract
  • Conceptual
  • Contemporary
  • Expressionism
  • Acrylic
  • Acrylic
  • Abstract
  • Abstract Expressionism
  • Expressionism
  • Minimalism
  • Modern

More from Zekria Alizada

Zekria Alizada

Sweden

Zekria Alizada is a Swedish contemporary artist with Afghan roots, residing and working in Stockholm, Sweden. His work examines the psychological and existential dimensions of the human condition. Drawing and painting since early childhood, he approaches art as an ongoing inquiry shaped by lived experience and personal reflection, through which he explores questions of life, identity, and the human condition. Working primarily in acrylic on canvas, Alizada combines contemporary abstraction with elements of figuration to construct emotionally charged compositions. His paintings explore themes of isolation, trauma, loss, displacement, melancholy, human desire, and transformation. Informed in part by experiences of migration and cultural transition, his work reflects on identity not as a fixed state, but as something continually shaped through rupture, tension, desire, and reconstruction. Rather than offering resolution, Alizada’s paintings create contemplative spaces where vulnerability, intimacy, and resilience coexist. His visual language often confronts darkness, grief, and psychological fragmentation, while acknowledging hope not as sentimentality, but as a restrained and persistent force within human endurance. His work invites viewers to reflect on the fragile boundaries between suffering, memory, desire, and healing.

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