About
Film photography is the medium that feels most natural to me. I never studied photography formally — I'm self-taught, and my style has become cinematic, classic and meditative.
My current work is black and white portraiture and still life, shot on film with studio lighting. Film lets me explore life and death in a way digital can't. It also makes me think more like a painter than a photographer.
The other thread in my work is consciousness. Years of daily meditation have shaped how I see and experience the world. That same stillness and sense of unity is what I bring to a photograph — not just an image, but darshan: the sight of the transcendent made immanent, passed on to whoever is looking. I want each photograph to carry that same stillness, so the viewer isn't just looking at a picture, they're momentarily inside it.
Poppies
Inspiration
People and plants.
There's a magic in both that I'm drawn to — the way a person's face can tell a story, and how different flowers each seem to have their own personality, one that can be photographed distinctly.
My father is a photographer, and I grew up immersed in the world of film photography. I've privately studied the technical side of the craft but my skill was really refined through years of photographing people, places and nature.
Debut Exhibition: Artist Arena, Upplandsgatan 48
Date: November 20th, 2026
Time: 17:00-22:00
I shoot on a Hasselblad film camera from the 1970s. It uses medium format film, which captures more resolution than 35mm — and in many cases, more than even the best digital cameras. There's something about this camera that captures the world in a way I can only describe as magical.
Once the film is developed and scanned, I review the photographs and pick the ones that have an eternal quality to them. From there, I edit in Adobe Lightroom and Photoshop to get the look and feel right. The last step is printing and framing the photograph.
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